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.With the figure of the idol of the masses as the central element of this block, the videos range from early works with different alternative rock artists from the nineties such as Javiera Parra or Álvaro Henríquez from the group Los Tres to the tribute to his deceased brother Andrés Bobe, guitarist of the famous band La Ley.
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The purpose of this block is to explore in Bobe's work the intersection between popular religious iconography with LGBT practices and aesthetics in Chile during the first years of the return to democracy, a time when the church had a fairly important public presence in Chile. the censorship of issues associated with HIV prevention and sexuality in general.
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The image of a woman that is built beyond the impositions of biology reached in the figure of Candy Dubois a mythical record rarely seen in the history of sexual dissidence in Chile. Undisputed protagonist of the Santiago bohemia of the sixties with the Blue Ballet (a dance troupe made up of drag queens), through Bobe's gaze we see how she is updated more than thirty years later in the context of an alternative cultural scene that she proclaims as one of their biggest divas.
